Showing posts with label Religion. Show all posts
Showing posts with label Religion. Show all posts

Thursday, October 04, 2012

Skirt Day - Jean-Paul Lilienfeld (2009)

La journée de la jupe (2009)


« Une jupe, ce n'est qu'un bout de tissu, mais qu'elle soit courte ou qu'elle soit longue, ce symbole peut nous aider à gagner une bataille contre l'obscurantisme, et même contre ce qu'il convient d'appeler, la haine des femmes. Cette jupe, c'est l'anti-niqab, c'est l'anti-burqa... » - Isabelle Adjani

"A skirt, it is just a piece of fabric. But be it long or short, this symbol can help us win a battle against obscurantism, and even against what is generally known as misogyny. This skirt, it is anti-niqab, anti-burqa..." - Isabelle Adjani (lead actress).

This film is politically incorrect and is meant to provoke  the audience into taking extreme points of view, since it says things that seem outright racist or Islamophobic. However, as the plot twists and turns, with surprises calculated to heighten the melodrama, it becomes clear that it is a critique of what many people think ails the liberal, multiculturalist vision of modern society. 

The leading lady is named Madame Bergerac, evoking the legendary Cyrano. The story starts with a rehearsal of 'Bourgeois Gentleman' by Moliere. So the evocation of La Douce France is deliberately provocative from the beginning, until verbal threats of rape lead the spectator into the "Real France", supposedly.

That said, the ideology of the story does seem simplistic, where stereotype characters abound. So it becomes very easy to brush it off as a right-wing point of view. The trouble is that many liberals do confess that it becomes rather difficult to deal with situations in which you become so careful about not sounding racist in your judgement that you end up not criticizing something illiberal at all.

Monday, May 03, 2010

Mother Joan of the Angels - Jerzy Kawalerowicz

A haunting tale of passion repressed by dogma. Excellent acting (as is the norm in Polish cinema), visuals and music.

Matka Joanna od aniołów is a film against dogma. That is the universal message of the film. It is a love story about a man and a woman who wear church clothes, and whose religion does not allow them to love each other. They often talk about and teach about love—how to love God, how to love each other—and yet they cannot have the love of a man and a woman because of their religion. This dogma is itself inhuman. The devils that possess these characters are the external manifestations of their repressed love. The devils are like sins, opposite to their human nature. It is like the devils give the man and woman an excuse for their human love. Because of that excuse, they are able to love.
- Jerzy Kawalerowicz, in an interview in Kinoeye

Thursday, July 23, 2009

Secret Sunshine (2007) - Lee Chang-dong


A harrowing film about a young woman's attempts to come to terms with life in all its post-modern futility.

Thursday, August 23, 2007

Becket (1964) - Peter Glenville


King Henry II: So what in most people is morality, in you it's just an exercise in... what's the word?

Thomas a Becket: Aesthetics.

King Henry II: Yes, that's the word. Always "aesthetics."


King Henry II: I'm suddenly very intelligent. It probably comes from making love to that French girl last night.


Until the day of his death, no man can be sure of his courage.

Saintliness is also a temptation.

Wednesday, June 27, 2007

Keep not silent (2004) - Ilil Alexander

Ilil Alexander’s debut film documents the clandestine struggle of three women fighting for their right to love within their Orthodox communities in Jerusalem. All three are pious, religiously committed women. All three are lesbians, and members of a secret support group called the “Ortho-Dykes.”

Tuesday, March 06, 2007

The Phantom of Liberty (1974) - Luis Buñuel



One of a group of monks drinking, using religious relics as poker chips: "I'll open with a virgin"



"Everyone is always someone else's barbarian."


“Chance governs all things; necessity, which is far from having the same purity, comes only later. If I have a soft spot for any one of my movies, it would be for The Phantom of Liberty, because it tries to work out just this theme.” (Buñuel, 1983)