Monday, December 19, 2011

Last Days in Jerusalem (2011) - Tawfik Abu Wael




Last Days in Jerusalem (2011) - Tawfik Abu Wael
 
When do you become an outsider in your own country? When you decide to leave, or only after you have taken the plunge, or never? And what if you don't leave after all? An interesting look at the Israel-Palestine situation via an Arab couple from Jerusalem on their way out of the country. The wall is everywhere in the background, but there is also a wall between them. On the surface, the film is about the couple, who keep separating from each other and keep coming back - not unlike some couple in some film by Michelangelo Antonioni. Deep within, it is also about separation from a country that is their homeland, but not quite theirs. It is not clear whether they belong together - neither the couple, nor them and the country they inhabit. And there are no solutions.

Thursday, December 08, 2011

The Education (2011) - Dirk Lütter

The Education (2011) - Dir: Dirk Lütter

An intense exploration of the corporate office space. Nothing much happens, but the constant threat of being made redundant looms. Spying on your colleagues and reporting anything that may make them look bad to bosses is actively encouraged, which seems rather similar to the way KGB or the Stasi operated. The smallest bit of information that you provide may mean the loss of a much-needed job to someone. This affects the way people interact in the office environment. The icy cold, steel-grey palette used enhances the threat and plays down anything mildly warm. The only escape is shopping malls, gadgets and other objects of pleasure available, such as games. The few outdoor scenes provide only a limited relief to the characters and to viewers, which in turn enhances the claustrophobia of the work environment. A must-watch for service-sector employees and those who hope to boost their economic situation thanks to them.

Friday, October 14, 2011

Recommended Films at the Mumbai Film Festival

Here is a list of recommended films from the Mumbai International Film Festival.
For the complete selection and schedule, visit http://mumbaifilmfest.com


International Competition:

  • Las Acacias Pablo Giorgelli (Argentina-Spain / 2011) - selected this year at Cannes Critics week 
  • My Little Princess Eva Ionesco (France / 2011) - stars Isabelle Huppert, one of the most important living actors today. 
  • She Monkeys (apflickorna) Lisa Aschan (Sweden / 2011) (Special mention at Berlin)
World Cinema:
  • Pina Wim Wenders (Germany-France-UK / 2010)
  • The Turin Horse (a TorinÓi LÓ) Béla Tarr (Hungary-France-Switzerland-Germany / 2011)
  • We Have A Pope ( Habemus Papam ) Nanni Moretti (Italy-France / 2010)
  • Almayer’s Folly ( La Folie Almayer ) Chantel Akerman (Belgium-France / 2011)
  • Once Upon A Time In Anatolia (bir Zamanlar Anadolu'da) Nuri Bilge Ceylan (Turkey / 2011)

French Cinema:
  • The Snows of Kilimanjaro (Les Neiges du Kilimandjaro) Robert Guédiguian (France / 2010)

Cannes Critics Week:
Almost every film here is worth watching, but here are a select few:
  • The Hour Of The Furnaces (la Hora De Los Hornos) Octavio Getino & Fernando Solanas (Argentina / 1970)
  • Esther Amos Gitai (Austria-Israel-UK / 1986)
  • See How They Fall ( Regarde Les Hommes Tomber ) Jacques Audiard (France / 1994)
  • Boy Meets Girl Leos Carax (France / 1984)
  • Rana’s Wedding (jerusalem, Another Day) Hany Abu-Assad (Palestine-Netherlands-UAE / 2002)
  • Provincial Actors (aktorzy Prowincjonalni) Agnieszka Holland (Poland / 1979)
  • Walkover (walkower) Jerzy Skolimowski (Poland / 1965)
  • Or (mon TrÉsor) Keren Yedaya (France-Israel / 2004)

Saturday, February 19, 2011

The Political Subtext in '7 Khoon Maaf'


Vishal Bharadwaj's '7 Khoon Maaf' is a deeply flawed film. However, instead of delving on the film's failures, I would like to discuss the political subtext present throughout the film.

Disclaimer: The following describes some critical plot elements. If you plan to watch the film, and if you are the kind of person who does not like to know too much about the film before watching it, discretion is advised.

Neil Nitin Mukesh's character is Susannah's (the protagonist played by Priyanka Chopra) first husband. He is overpowering and aggressive, much like Indira Gandhi, the then Prime Minister. Neil loses a leg during Operation Bluestar, which also ultimately cost Indira Gandhi her life.

John Abraham's character is a youth icon - a bit similar to Rajiv Gandhi, whose reign followed Indira Gandhi's death in 1984. He is also an extremely popular character in the film who ultimately underdelivers, again, much like Rajiv Gandhi.

Next comes Irfan Khan's character. He is shown to be a Kashmiri poet and this episode happens during the height of the Kashmiri disturbances in the late eighties and early nineties. He is sadist and tortures Susannah. It is quite an interesting plot development, since Susannah is seduced by the Kashmiri and then tortured. One could say that Kashmir plays the same role in the Indian psyche - seducing, poetic but which ultimately proves a sadist lover to a masochistic India - one can't let go of it, and one can't help getting tortured by it.

The fourth husband is the Russian and is juxtaposed against the Pokhran nuclear tests of 1998. What appears as a triumph (the nuclear tests) ultimately ends up in a betrayal - sanctions imposed on India by the US and other nuclear powers. In the films, the Russian seems alluring, but ends up betraying Susannah.

What follows is Annu Kapoor - the Policeman and the first Hindu lover of Susannah - during the BJP's rule in India. It is interesting to see that this character is around for a long period in the film before he actually possesses Susannah, much like the BJP, which has been around for a long time, but which gained power only much later in India's history. It is also rather clever or subversive (depends on the way you see it ;-) ) of Vishal Bharadwaj to show this character requiring Viagra to perform with the lady! On the one hand, the BJP came to power riding on militant, jingoistic Hinduism (one can't help remembering Anand patwardhan's film 'Father Son and the Holy War' here). This episode ends with the IC-814 hijack episode - an episode that tested the masculinity of the Saffron party.

Then comes Naseeruddin Shah - during the long congress rule with Dr. Manmohan Singh as the PM. Like him, Naseer's doctor is very knowledgeable, but ultimately proves to be bankrupt and ineffective. The episode ends with the 26th November 2008 terrorist attack on Mumbai.

Throughout the film, the unattained and unrequited love is that of Vivaan Shah playing Arun. He is an orphan with a twinkle in his eye. To me, he is quite like the Saleem Sinai of Salman Rushdie's Midnight's Children - perhaps the only lover worthy of India/Susannah, but their love for each other is never fulfilled. 

Thus, the film's attempt seems to be that of endowing the character Susannah with the complexity of India - many try to master her, but she cannot be mastered by falsehood, violence or chauvinism, She longs for a pure man, but such men can only be found in the millions of its common citizens, who can never really rise above their situation to prove their worth to her and to fulfill her.