Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

Thursday, October 04, 2012

Skirt Day - Jean-Paul Lilienfeld (2009)

La journée de la jupe (2009)


« Une jupe, ce n'est qu'un bout de tissu, mais qu'elle soit courte ou qu'elle soit longue, ce symbole peut nous aider à gagner une bataille contre l'obscurantisme, et même contre ce qu'il convient d'appeler, la haine des femmes. Cette jupe, c'est l'anti-niqab, c'est l'anti-burqa... » - Isabelle Adjani

"A skirt, it is just a piece of fabric. But be it long or short, this symbol can help us win a battle against obscurantism, and even against what is generally known as misogyny. This skirt, it is anti-niqab, anti-burqa..." - Isabelle Adjani (lead actress).

This film is politically incorrect and is meant to provoke  the audience into taking extreme points of view, since it says things that seem outright racist or Islamophobic. However, as the plot twists and turns, with surprises calculated to heighten the melodrama, it becomes clear that it is a critique of what many people think ails the liberal, multiculturalist vision of modern society. 

The leading lady is named Madame Bergerac, evoking the legendary Cyrano. The story starts with a rehearsal of 'Bourgeois Gentleman' by Moliere. So the evocation of La Douce France is deliberately provocative from the beginning, until verbal threats of rape lead the spectator into the "Real France", supposedly.

That said, the ideology of the story does seem simplistic, where stereotype characters abound. So it becomes very easy to brush it off as a right-wing point of view. The trouble is that many liberals do confess that it becomes rather difficult to deal with situations in which you become so careful about not sounding racist in your judgement that you end up not criticizing something illiberal at all.

Tuesday, July 17, 2012

Two Days in Paris - Julie Delpy (2007)


If films like Before Sunrise and Before Sunset are far from your idea of a romantic comedy, then this one is recommended. It takes a great deal of inspiration from Woody Allen and there's a bit of Godard, too, but then adds some 21st century originality to this combination of neurosis and wit. There is enough crudeness and political incorrectness in the film to make it funny and savoury-sweet in a very European way. Interestingly, Julie Delpy did not just act in, but was a co-writer of Before Sunrise and Before Sunset, so this film seems her way of getting the American films out of her system.

Stephen Holden's review from the NY Times

Friday, January 01, 2010

Desaccord Parfait / Twice Upon A Time (2006) - Antoine de Caunes



Far from being a great entertainer, but it is always a delight to watch Jean Rochefort and Charlotte Rampling. Some good laughs, too (mostly at the cost of les anglais!).

Thursday, December 31, 2009

Coco Chanel (2008) - Christian Duguay



The kind of biopic that the Merchant-Ivory factory used to manufacture - lots of attention paid to getting the period details right, but delivering a mushy and predictable assembly-line product. Not my cup of tea, thanks.

Wednesday, November 25, 2009

C'est le bouquet! (2002) - Jeanne Labrune


One of these delightful little gems of the French cinema. Pokes fun at everything from the French revolution, Yuppies, Kieslowski to Clinton (Bill) via the Boston Brahmins. Politically incorrect to the hilt while remaining very correct by admonishing us for laughing at all the racist jokes. A lesson for anyone who wants to know how to make a romantic comedy. The dialogue is sparkling and the star cast delivers it well - the always excellent Jean-Pierre Darroussin coupled with the ravishing Sandrine Kiberlain, plus the old and the famous Jean-Claude Brialy and Maurice Bénichou. Add to this the dependables Dominique Blanc and Mathieu Amalric and what you have is nothing short of a casting coup. Vive la France! If you think the French version of 'Three men and a baby' was much better than the American one, then this is the film for you. I had never heard of Jeanne Labrune (the director), but she is definitely worth the discovery.

Tuesday, November 24, 2009

Uranus (1990) - Claude Berri

Post-war France at its best and worst - the communists trying to prove their patriotism by catching collaborators, everyone trying to prove their innocence with someone else's guilt, with the inevitable results - some innocents are punished and some guilty remain unpunished but not very happy either. A very theatrical production featuring some of the greatest contemporary French actors: Gérard Depardieu as a touching bar owner who is passionate about alcohol and Racine, in that order, Philippe Noiret as a cynical but happy professor, Michel Blanc as a level-headed but headstrong communist, Michel Galabru as a war profiteer, and Jean-Pierre Marielle as a Petainist with a guilt conscience. As a bonus, a very young Fabrice Luchini plays a communist from a bourgeois background and the baggage that comes with it. All in all, the kind of Cinema of Quality that Truffaut and his fellow new wave directors abhorred, but that thrives in France and is popular the world over. A kind of Merchant-Ivory production in the French tradition.

Thursday, August 23, 2007

Becket (1964) - Peter Glenville


King Henry II: So what in most people is morality, in you it's just an exercise in... what's the word?

Thomas a Becket: Aesthetics.

King Henry II: Yes, that's the word. Always "aesthetics."


King Henry II: I'm suddenly very intelligent. It probably comes from making love to that French girl last night.


Until the day of his death, no man can be sure of his courage.

Saintliness is also a temptation.

Tuesday, July 03, 2007