Thursday, October 04, 2012

Skirt Day - Jean-Paul Lilienfeld (2009)

La journée de la jupe (2009)


« Une jupe, ce n'est qu'un bout de tissu, mais qu'elle soit courte ou qu'elle soit longue, ce symbole peut nous aider à gagner une bataille contre l'obscurantisme, et même contre ce qu'il convient d'appeler, la haine des femmes. Cette jupe, c'est l'anti-niqab, c'est l'anti-burqa... » - Isabelle Adjani

"A skirt, it is just a piece of fabric. But be it long or short, this symbol can help us win a battle against obscurantism, and even against what is generally known as misogyny. This skirt, it is anti-niqab, anti-burqa..." - Isabelle Adjani (lead actress).

This film is politically incorrect and is meant to provoke  the audience into taking extreme points of view, since it says things that seem outright racist or Islamophobic. However, as the plot twists and turns, with surprises calculated to heighten the melodrama, it becomes clear that it is a critique of what many people think ails the liberal, multiculturalist vision of modern society. 

The leading lady is named Madame Bergerac, evoking the legendary Cyrano. The story starts with a rehearsal of 'Bourgeois Gentleman' by Moliere. So the evocation of La Douce France is deliberately provocative from the beginning, until verbal threats of rape lead the spectator into the "Real France", supposedly.

That said, the ideology of the story does seem simplistic, where stereotype characters abound. So it becomes very easy to brush it off as a right-wing point of view. The trouble is that many liberals do confess that it becomes rather difficult to deal with situations in which you become so careful about not sounding racist in your judgement that you end up not criticizing something illiberal at all.

Tuesday, July 17, 2012

Two Days in Paris - Julie Delpy (2007)


If films like Before Sunrise and Before Sunset are far from your idea of a romantic comedy, then this one is recommended. It takes a great deal of inspiration from Woody Allen and there's a bit of Godard, too, but then adds some 21st century originality to this combination of neurosis and wit. There is enough crudeness and political incorrectness in the film to make it funny and savoury-sweet in a very European way. Interestingly, Julie Delpy did not just act in, but was a co-writer of Before Sunrise and Before Sunset, so this film seems her way of getting the American films out of her system.

Stephen Holden's review from the NY Times

Monday, July 16, 2012

Something Different (O něčem jiném) - Věra Chytilová


For those who are familiar with 'Daisies' - the more famous film from the Czech director Věra Chytilová, this is an earlier and more accessible film. It juxtaposes two women with very different lives - one is an international gymnast and the other is a simple housewife. Both grapple with existential questions.


It would have been very easy to fall into the trap of making yet another polemical feminist film, but Chytilova tackles the subject brilliantly. A must watch for anyone who thinks a film with a political message cannot be fun to watch. The black and white images are beautiful and the performances lovely. Here is the beginning of the film to whet your appetite -


More about the film - http://www.kinoeye.org/02/08/cieslar08.php

Monday, December 19, 2011

Last Days in Jerusalem (2011) - Tawfik Abu Wael




Last Days in Jerusalem (2011) - Tawfik Abu Wael
 
When do you become an outsider in your own country? When you decide to leave, or only after you have taken the plunge, or never? And what if you don't leave after all? An interesting look at the Israel-Palestine situation via an Arab couple from Jerusalem on their way out of the country. The wall is everywhere in the background, but there is also a wall between them. On the surface, the film is about the couple, who keep separating from each other and keep coming back - not unlike some couple in some film by Michelangelo Antonioni. Deep within, it is also about separation from a country that is their homeland, but not quite theirs. It is not clear whether they belong together - neither the couple, nor them and the country they inhabit. And there are no solutions.

Thursday, December 08, 2011

The Education (2011) - Dirk Lütter

The Education (2011) - Dir: Dirk Lütter

An intense exploration of the corporate office space. Nothing much happens, but the constant threat of being made redundant looms. Spying on your colleagues and reporting anything that may make them look bad to bosses is actively encouraged, which seems rather similar to the way KGB or the Stasi operated. The smallest bit of information that you provide may mean the loss of a much-needed job to someone. This affects the way people interact in the office environment. The icy cold, steel-grey palette used enhances the threat and plays down anything mildly warm. The only escape is shopping malls, gadgets and other objects of pleasure available, such as games. The few outdoor scenes provide only a limited relief to the characters and to viewers, which in turn enhances the claustrophobia of the work environment. A must-watch for service-sector employees and those who hope to boost their economic situation thanks to them.

Friday, October 14, 2011

Recommended Films at the Mumbai Film Festival

Here is a list of recommended films from the Mumbai International Film Festival.
For the complete selection and schedule, visit http://mumbaifilmfest.com


International Competition:

  • Las Acacias Pablo Giorgelli (Argentina-Spain / 2011) - selected this year at Cannes Critics week 
  • My Little Princess Eva Ionesco (France / 2011) - stars Isabelle Huppert, one of the most important living actors today. 
  • She Monkeys (apflickorna) Lisa Aschan (Sweden / 2011) (Special mention at Berlin)
World Cinema:
  • Pina Wim Wenders (Germany-France-UK / 2010)
  • The Turin Horse (a TorinÓi LÓ) Béla Tarr (Hungary-France-Switzerland-Germany / 2011)
  • We Have A Pope ( Habemus Papam ) Nanni Moretti (Italy-France / 2010)
  • Almayer’s Folly ( La Folie Almayer ) Chantel Akerman (Belgium-France / 2011)
  • Once Upon A Time In Anatolia (bir Zamanlar Anadolu'da) Nuri Bilge Ceylan (Turkey / 2011)

French Cinema:
  • The Snows of Kilimanjaro (Les Neiges du Kilimandjaro) Robert Guédiguian (France / 2010)

Cannes Critics Week:
Almost every film here is worth watching, but here are a select few:
  • The Hour Of The Furnaces (la Hora De Los Hornos) Octavio Getino & Fernando Solanas (Argentina / 1970)
  • Esther Amos Gitai (Austria-Israel-UK / 1986)
  • See How They Fall ( Regarde Les Hommes Tomber ) Jacques Audiard (France / 1994)
  • Boy Meets Girl Leos Carax (France / 1984)
  • Rana’s Wedding (jerusalem, Another Day) Hany Abu-Assad (Palestine-Netherlands-UAE / 2002)
  • Provincial Actors (aktorzy Prowincjonalni) Agnieszka Holland (Poland / 1979)
  • Walkover (walkower) Jerzy Skolimowski (Poland / 1965)
  • Or (mon TrÉsor) Keren Yedaya (France-Israel / 2004)