I watched Dabangg in one of these dilapidated single-screen movie halls that charged 35 rupees for a ticket. It was a weekday evening, but the hall was almost full. The film kept an otherwise noisy crowd completely hooked throughout its duration. The visuals and the locations are clearly meant to match a good old western. However, since this is no 1975 (when Sholay was released), there is absolutely no attempt at concealing the absurdity of the story; nor is there any attempt at over-sentimentalizing the love angle or the loss of central characters. This is Hindi cinema at its kitschy, over-the-top, campy best - so unintellectual that you cannot help but laugh along.
Going by the audience's reactions, I realized what a loss the average Indian crowd has had with the multiplexes and the metropolis-themed movies that are supposedly made for the young people of today. I hate watching films with those popcorn-munching, heavily perfumed rich brats who have paid hundreds of rupees only to watch the film while constantly smsing or chatting on the phone. This audience was a good contrast. I know why they flock to watch Salman Khan films. I feel a bit sorry for them, since I just don't see any actor in the next generation who can appeal to them in the way Salman does.
Monday, December 06, 2010
Dabangg!
Libellés :
Abhinav Kashyap,
Dabangg,
Salman Khan,
Western
Monday, August 23, 2010
Peepli Live (2010) - Anusha Rizvi
Although farmer's suicides are a serious problem, I am not one of those killjoys who claim that one cannot make use of satire to depict a serious problem. My advice to those would be to go read Srilal Shukla's Hindi novel 'Rag Darbari'. Thus, I am already empathetic to the film's message and form; the same goes for its portrayal of media and politicians as ruthless - which should come as no surprise to anyone who watches television and who has an iota of intelligence. Having said that, I must confess that the film was a big let-down.
Both the script and the direction were hurried. Most scenes just seemed to finish too early, as if there were so many check-boxes to be checked before the film got over in its 100-odd minutes. On the other hand, there were not too many points to be made - once the media and the politicians enter the frey, the film has nothing more (or original) to say and it seems to get breathless just saying nothing, but making it a shouting match of saying nothing, to make things worse. Scatological jokes, swear-words relying on the infidelities of sisters and mothers, or on various parts of the anatomy are not new to me - they don't offend me, but I don't get cheap thrills just because someone on screen utters them either. So the jokes seemed just juvenile. More seriously, as a friend pointed out, the end is more or less copied from "No Man's Land", which won the foreign film Oscar when Amir's Lagaan was in the race, so this seems like a way of getting a kick out of copying your (better) adversary.
I am sorry to say, but I don't get impressed by such things. Neither do I get fresh insights into the plights of the Indian farmers by watching such silly films. If you need to get entertained by Indian villagers while still getting some serious insights about India and its problems, I will recommend 'Rag Darbari' any day.
Libellés :
Contemporary Indian Cinema,
Peepli Live
Wednesday, August 04, 2010
Winter's Bone (2010) - Debra Granik
This is just the kind of depressing piece of Americana that I love to watch on the indie film circuit. Everything in the film - from the faces of the actors, the winter landscape, the rare but pithy dialogue, the amount of things left unsaid and the underlying horror and beauty of life - is perfect. Highly recommended to people who hate 'movies' but love cinema, who hate Hollywood but love Russell Banks's America.
Libellés :
America,
Americans,
Debra Granik,
Jennifer Lawrence
Friday, May 28, 2010
Flamenco (1995) - Carlos Saura
If you like Spanish guitar, throaty songs and passionate dance, then the film will satisfy your senses. Some of the best dancers, singers and musicians come together, helped by the cinematography of Vittorio Storaro and the vision of Carlos Saura.
Here is a magnificent piece to tempt you...
Libellés :
Carlos Saura,
Dance,
Flamenco,
Folk Music,
Spain,
Vittorio Storaro
Saturday, May 22, 2010
Noviembre (2003) - Achero Mañas
IMDB Link: http://www.imdb.com/title/tt0376800/
What happens when a group of radical theatre enthusiasts come together and vow not to do commercial theatre in the 'money-and-me' nineties? To call their theatre 'Street Theatre' does not really do justice. The challenges they face from an establishment that seems to have forgotten 1968 and its aftermath are not as bad as the challenges they face themselves when living in a world where any form of radicalism is treated as an insult, if not an outright threat. A must-watch for every theatre person and performing artist who would dare to call himself contemporary. Also, a must-watch for every person who cries 'hurt sentiments' at the drop of a hat.
What happens when a group of radical theatre enthusiasts come together and vow not to do commercial theatre in the 'money-and-me' nineties? To call their theatre 'Street Theatre' does not really do justice. The challenges they face from an establishment that seems to have forgotten 1968 and its aftermath are not as bad as the challenges they face themselves when living in a world where any form of radicalism is treated as an insult, if not an outright threat. A must-watch for every theatre person and performing artist who would dare to call himself contemporary. Also, a must-watch for every person who cries 'hurt sentiments' at the drop of a hat.
Trailer from Youtube:
Libellés :
Anti-establishment,
postmodern,
Theatre
Monday, May 03, 2010
Mother Joan of the Angels - Jerzy Kawalerowicz
A haunting tale of passion repressed by dogma. Excellent acting (as is the norm in Polish cinema), visuals and music.
Matka Joanna od aniołów is a film against dogma. That is the universal message of the film. It is a love story about a man and a woman who wear church clothes, and whose religion does not allow them to love each other. They often talk about and teach about love—how to love God, how to love each other—and yet they cannot have the love of a man and a woman because of their religion. This dogma is itself inhuman. The devils that possess these characters are the external manifestations of their repressed love. The devils are like sins, opposite to their human nature. It is like the devils give the man and woman an excuse for their human love. Because of that excuse, they are able to love.
- Jerzy Kawalerowicz, in an interview in Kinoeye
Libellés :
Jerzy Kawalerowicz,
Religion
Thursday, April 22, 2010
A Bomb was Stolen (1961) - Ion Popescu-Gopo
A delightful comedy about the absurdities of war, weapons and the quest thereof. The obvious association is with the Kubrick classic 'Dr. Strangelove', Jacques Tati and of course the Marx Brothers. It's a shame that just because a film comes from Romania, it is now forgotten, despite having been nominated for the Palme d'Or at Cannes once. Thanks to the web, I found someone else with similar feelings: The Forgotten: The Dumb Bomb Would love to get hold of some of his animated films from the 'Homo Sapiens series'. See a sample below:
Libellés :
Jacques Tati,
Marx Brothers,
Nuclear war,
Romania,
Stanley Kubrick
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